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Georges Seurat

Study for "A Sunday on La Grande Jatte"

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About the Artwork

Study for "A Sunday on La Grande Jatte", 1884. Georges Seurat. Oil on canvas. Bequest of Sam A. Lewisohn, 1951.
This is Seurat’s final study for his monumental painting of Parisians at leisure on an island in the Seine (Art Institute of Chicago). Contrasting pigments are woven together with small, patchy brushstrokes, whereas in the mural-sized park scene—which debuted two years later at the 1886 Impressionist exhibition—Seurat used tighter, dot-like dabs of paint, a technique which came to be known as Pointillism (from the French word point, or dot). He preferred the term Divisionism—the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer.

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Met Custom Prints offers exclusive custom reproductions of artworks in The Met collection. Thanks to gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.
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This is the only place you’ll find reproductions approved by The Metropolitan Museum of Art. We are continually adding new artworks to our offering, so be sure to check back regularly as you build your own gallery. A variety of molding styles means our custom framed prints can match any type of decor.

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