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Vincent van Gogh

La Berceuse (Woman Rocking a Cradle)

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Mexican Prints
On view through January 5, Mexican Prints at the Vanguard explores the rich tradition of printmaking in Mexico—from the 18th century to the mid-20th century—through works drawn mainly from the Museum’s collection.
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About the Artwork

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851-1930), 1889. Vincent van Gogh. Oil on canvas. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1996, Bequest of Walter H. Annenberg, 2002.
Of the five versions of Van Gogh’s portrait of Augustine Roulin, wife of his friend the postmaster of Arles, the present canvas is the one the sitter chose for herself. Van Gogh remarked that "she had a good eye and took the best." He began the portraits just before his breakdown in Arles, in December 1888, and completed them in early 1889, calling them "La Berceuse," meaning "lullaby, or woman who rocks the cradle," indicated by the rope held in the sitter’s hand, which is attached to the unseen cradle.

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Vincent van Gogh
Figures
Interiors
Portraits
Womens Portraits
Post-Impressionism
Impressionism and Beyond
19th Century
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Met Custom Prints offers exclusive custom reproductions of artworks in The Met collection. Thanks to gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.
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This is the only place you’ll find reproductions approved by The Metropolitan Museum of Art. We are continually adding new artworks to our offering, so be sure to check back regularly as you build your own gallery. A variety of molding styles means our custom framed prints can match any type of decor.

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