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Vincent van Gogh

La Berceuse (Woman Rocking a Cradle)

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851-1930), 1889. Vincent van Gogh. Oil on canvas. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1996, Bequest of Walter H. Annenberg, 2002.
Of the five versions of Van Gogh’s portrait of Augustine Roulin, wife of his friend the postmaster of Arles, the present canvas is the one the sitter chose for herself. Van Gogh remarked that "she had a good eye and took the best." He began the portraits just before his breakdown in Arles, in December 1888, and completed them in early 1889, calling them "La Berceuse," meaning "lullaby, or woman who rocks the cradle," indicated by the rope held in the sitter’s hand, which is attached to the unseen cradle.

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Vincent van Gogh
Figures
Interiors
Portraits
Womens Portraits
Post-Impressionism
Impressionism and Beyond
19th Century
European Art
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