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Jean Auguste Dominique Ingres

Princesse de Broglie

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie, 1851-53. Jean Auguste Dominique Ingres. Oil on canvas. Robert Lehman Collection, 1975.
Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist’s final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter’s husband, Albert de Broglie, a few years after their ill-fated marriage. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Through Albert’s lifetime, it was draped in fabric on the walls of the family residence. The portrait remained in the de Broglie family until shortly before Robert Lehman acquired it.

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Jean Auguste Dominique Ingres
Fashion
Figures
Interiors
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Womens Portraits
19th Century
European Art
Gowns and Formal
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© Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025
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