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*Use code SNOW25 to save 25% on your online purchase at store.metmuseum.org and customprints.metmuseum.org, excluding tax, shipping/handling, and gift wrap charges. Offer ends 11:59 pm ET on 12/8/25. Available online only. Offer does not apply to prior purchases, clearance products, or select items, including fine jewelry, designer collaborations, The Gallery at The Met Store items, Museum admission, Museum Memberships, donations, Gift Cards, and eGift Cards. Cannot be combined with any other offers or discounts. Offer subject to change or cancellation without notice. Void where prohibited.
**MEMBERS save 30% on qualifying online purchases at store.metmuseum.org and customprints.metmuseum.org, excluding tax, shipping/handling, and gift wrap charges. Offer ends 11:59 pm ET on 12/8/25. Available online only. Offer does not apply to prior purchases, clearance products, or select items, including fine jewelry, designer collaborations, The Gallery at The Met Store items, Museum admission, Museum Memberships, donations, Gift Cards, and eGift Cards. Cannot be combined with any other offers or discounts. Offer subject to change or cancellation without notice. Void where prohibited. To redeem online at store.metmuseum.org: Register or sign in to see your savings at checkout. No promotion code required. To redeem on Met Custom Prints website (customprints.metmuseum.org): Enter your Member number at checkout. No code required.

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

Boating, 1874. Édouard Manet. Oil on canvas. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. Beyond adopting the lighter touch and palette of his younger Impressionist colleagues, Manet exploits the broad planes of color and strong diagonals of Japanese prints to give inimitable form to this scene of outdoor leisure. Rodolphe Leenhoff, the artist’s brother-in-law, is thought to have posed for the sailor but the identity of the woman is uncertain.

Shown in the Salon of 1879, Boating was deemed "the last word in painting" by Mary Cassatt, who recommended the acquisition to the New York collectors Louisine and H.O. Havemeyer.

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Edouard Manet
Boats and Ships
Sailboats
Figures
Transportation
Impressionism
Impressionism and Beyond
19th Century
European Art
Activities
Leisure
Paintings
Manet-Degas

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© Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025
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