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*Use code EARLY24 to save 25% on your online purchase of $125 or more at store.metmuseum.org and customprints.metmuseum.org, excluding tax, shipping/handling, and gift wrap charges. Offer ends 11:59 pm ET on 11/18/24. Available online only. Offer does not apply to prior purchases, clearance products, or select items, including fine jewelry, designer collaborations, The Gallery at The Met Store items, Museum admission, Museum Memberships, donations, and eGift Certificates. Cannot be combined with any other offers or discounts. Offer subject to change or cancellation without notice. Void where prohibited.
**Members save 30% on qualifying purchases of $125 or more at store.metmuseum.org and customprints.metmuseum.org, excluding tax, shipping/handling, and gift wrap charges. Offer ends 11:59 pm ET on 11/18/24. Offer does not apply to prior purchases, clearance products, or select items, including fine jewelry, designer collaborations, The Gallery at The Met Store items, Museum admission, Museum Memberships, donations, and eGift Certificates. Cannot be combined with any other offers or discounts. Offer subject to change or cancellation without notice. Void where prohibited. To redeem online at store.metmuseum.org: Register or sign in to see your savings at checkout. No promotion code required. To redeem on Met Custom Prints (customprints.metmuseum.org): Enter your Member number at checkout. No code required. To redeem in-store: Present your valid Membership card at checkout.

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Jacob Lawrence

Pool Parlor

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Mexican Prints
On view through January 5, Mexican Prints at the Vanguard explores the rich tradition of printmaking in Mexico—from the 18th century to the mid-20th century—through works drawn mainly from the Museum’s collection.
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About the Artwork

Pool Parlor, 1942. Jacob Lawrence. Watercolor and gouache on paper. Arthur Hoppock Hearn Fund, 1942. © 2020 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.
In 1942, twenty-five-year-old Lawrence gained national recognition when the Museum of Modern Art, New York, and the Phillips Collection, Washington, D.C., shared the acquisition of his sixty-panel Migration of the Negro series and sent it on a fifteen-venue tour across the United States. Later that year, the Metropolitan Museum purchased its first work by the artist, Pool Parlor, a prizewinner in "The Artists for Victory" competition. Painted with Lawrence’s characteristic flat forms, angular lines, and a vibrant palette, the work depicts a Harlem pool hall. Men in exaggerated poses, dramatic contrasts of light and dark, and the zigzag of cigarette smoke all contribute to the lively scene.

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