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Jacob Lawrence

The Shoemaker

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

The Shoemaker, 1945. Jacob Lawrence. Watercolor and gouache on paper. George A. Hearn Fund, 1946. © 2020 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.
The Shoemaker was among the first works Lawrence painted after returning from military service in World War II in early December 1945. Resuming one of his most enduring themes, these pictures from late 1945–46 focus on workers in Harlem and show the range of occupations open to African Americans at the time, from teachers and office assistants to barbers, seamstresses, and steelworkers. Although Lawrence's art was never overtly political, his subjects highlighted social issues, often with pathos and humor. Here, he contrasts the enormous body of the cobbler with his cramped quarters and the delicate shoes and tacks that occupy his attention.

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Jacob Lawrence
Figures
Interiors
Harlem Renaissance
Works On Paper
20th Century
American Art
Places
United States
New York
New York City
African American Artists
Modernism
Work and Professions
Labor
1940s
Watercolors

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© Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025
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