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Edgar Degas

The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873. Edgar Degas. Pastel on green wove paper, now darkened to brown. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929.
The sitter for this likeness is thought to be Mathilde Musson, one of Degas’s cousins in New Orleans. Degas made a number of pictures featuring Mathilde and her two sisters when he visited the family during the fall and winter of 1872–73. The women can be difficult to tell apart, but the tilt of the head and the intelligent, sidelong gaze seen here closely resemble the figure of Mathilde in another, more finished pastel (Ordrupgaard, Copenhagen). Mathilde was then a new mother, and the artist complained, "to make a cousin sit for you who is feeding an imp of two months is quite hard work."

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Edgar Degas
Figure Studies
Figures
Portraits
Womens Portraits
Drawings
Impressionism
Works On Paper
Impressionism and Beyond
19th Century
European Art
Pastels
Manet-Degas

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