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John Singer Sargent

The Hermit (Il solitario), 1908

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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About the Artwork

The Hermit (Il solitario), 1908. John Singer Sargent. Oil on canvas. Rogers Fund, 1911.
Sargent based this painting on sketches he had made in Val d’Aosta, in the foothills of the Alps, in northwestern Italy. Although he seems to have been preoccupied with rendering the sun dappled landscape in textured brushstrokes, he also included two deer (contrived from a stuffed specimen) and a male figure that evokes religious personages such as Saint Jerome. Yet, when approving The Hermit as the translated title of the picture, Sargent wrote to the director of the Metropolitan, “I wish there were another simple word that did not bring with it any Christian association, and that rather suggested quietness and pantheism.”

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John Singer Sargent
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