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**MEMBERS save 30% on qualifying online purchases at store.metmuseum.org and customprints.metmuseum.org, excluding tax, shipping/handling, and gift wrap charges. Offer ends 11:59 pm ET on 12/8/25. Available online only. Offer does not apply to prior purchases, clearance products, or select items, including fine jewelry, designer collaborations, The Gallery at The Met Store items, Museum admission, Museum Memberships, donations, Gift Cards, and eGift Cards. Cannot be combined with any other offers or discounts. Offer subject to change or cancellation without notice. Void where prohibited. To redeem online at store.metmuseum.org: Register or sign in to see your savings at checkout. No promotion code required. To redeem on Met Custom Prints website (customprints.metmuseum.org): Enter your Member number at checkout. No code required.

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SPECIAL EXHIBITION
Man Ray
Man Ray: When Objects Dream is the first exhibition to situate the rayograph, Man Ray’s signature accomplishment, in relation to his larger body of work of the 1910s and 1920s. Drawing from the collections of The Met and more than 50 lenders, the exhibition will feature approximately 60 rayographs and 100 paintings, objects, prints, drawings, films, and photographs—including some of the artist’s most iconic works—to highlight the central role of the rayograph in Man Ray’s boundary-breaking practice.
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Lucy T. Pettway

Born in Gee’s Bend in 1921, Lucy T. Pettway was the fourth of fourteen children and worked in the fields most of her youth, picking cotton, corn, peanuts, sugarcane, peas, and millet. Though she was sporadically educated, she learned to piece and sew at age 12 and made her first quilt the following year. She was subsequently trained by her mother and other skilled quilt makers in Gee’s Bend.

Gee’s Bend, a small rural community situated on a bend on the Alabama River, was named for a 19th-century cotton plantation owner, Joseph Gee. The quilting tradition of the area, originated by slave women, is celebrated for its innovative geometric designs. In 1845 Mark Pettway bought the plantation. Many of the Gee’s Bend artists are descendants of his slaves and carry the Pettway name.

Showing 1 - 1 of 1

Lucy T. Pettway - Housetop and Bricklayer with Bars quilt

Lucy T. Pettway
Housetop and Bricklayer with Bars quilt

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