Met Custom Prints
View Bag
Shop The Met Store

About the Artwork

Roses, 1890. Vincent van Gogh. Oil on canvas. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1993, Bequest of Walter H. Annenberg, 2002.
On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both the Museum's Roses and Irises belong. These bouquets and their counterparts—an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington, D.C.)—were conceived as a series or ensemble, on a par with the earlier Sunflower decoration he made in Arles. Traces of pink along the tabletop and rose petals in the present painting, which have faded over time, offer a faint reminder of the formerly more vivid "canvas of pink roses against a yellow-green background in a green vase."

About the Artist

After pursuing several occupations, including teacher, bookshop assistant, and preacher, Vincent van Gogh decided to become an artist at the age of twenty-seven. In just ten years, from 1880 to 1890, he created over 800 paintings and more than 1,100 works on paper— in addition to keeping up a voluminous correspondence, especially with his brother Theo, an art dealer.

Largely self-taught, Van Gogh considered it necessary to master drawing before attempting color. He studied art manuals, zealously copied prints—especially those of Jean-François Millet, whom he greatly admired—and drew constantly. It wasn’t until 1882 that he first tried painting.

In 1886, the artist left the Netherlands to share an apartment with Theo in Paris. For the first time, he came into contact with avant-garde artists like Paul Gauguin. He saw the last group exhibition of the Impressionists and the launching of Neo-Impressionism. As a result, Van Gogh abandoned his dark palette and adopted the bright colors of the Impressionists and the dots and dashes of Georges Seurat and Paul Signac.

Van Gogh moved south to Arles in 1888. He hoped to establish a community of artists but, aside from Gauguin’s brief stay that fall—cut short when Van Gogh had a breakdown—his primary contact with family and friends was through correspondence. To keep them abreast of his work he drew sketches of paintings in his letters and sent large pen-and-ink drawings. Fearing another breakdown, Van Gogh entered the asylum at Saint-Rémy in May 1889. There he painted some 150 canvases.

A year later, the artist moved to Auvers-sur-Oise, near Paris, where he kept up the pace, averaging a painting a day. On July 29, 1890, his painting came to an abrupt end when he died from a self-inflicted gunshot wound. By the time of his death, his work had begun to attract the attention of artists and critics and, by the early 1900s, Van Gogh had come to be regarded as a vanguard figure in the history of modern art.

Popular Images

About Our Prints

Met Custom Prints offers exclusive custom reproductions of artworks in The Met collection. Thanks to gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.
This is the only place you’ll find reproductions approved by The Metropolitan Museum of Art. We are continually adding new artworks to our offering, so be sure to check back regularly as you build your own gallery. A variety of molding styles means our custom framed prints can match any type of decor.

Member Discounts

Met Members will receive their 15% discount for all Met Custom Prints purchases. If you are Member, when you check out enter your member ID and the last name associated with your membership; once your Membership has been validated, your discount will be applied. Member discounts cannot be combined with other offers.